Kara Maria
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Biography
·  Born in Binghamton, New York, 1968
·  Lives and works in San Francisco, California

Education
TOP
1998·  MFA, Art Practice, University of California, Berkeley
1993·  BA with honors, Art Practice, University of California, Berkeley

Selected Solo Exhibitions
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2016·  Head Over Heels, University Art Gallery, California State University, Chico, Chico, CA (catalogue)
2015·  Haywire, Catharine Clark Gallery, San Francisco, CA
·  Arcadian Duet (with Kathryn Kain), Smith Andersen Editions, Palo Alto, CA
·  Joy Spring, Reynolds Gallery, University of the Pacific, Stockton, CA
·  Anthropocene Shuffle, b. sakata garo, Sacramento, CA
·  A Trash Menagerie, Recology, San Francisco, CA
2013·  Vortex, Fine Arts Gallery, Santa Clara University, Santa Clara, CA
2012·  Amerwarpornica, Kirk Hopper Fine Art, Dallas, TX
2011·  Cloud Nine, Virtuata, Milpitas, CA
2009·  Inviting the Storm, b. sakata garo, Sacramento, CA
2008·  Deployment in Wonderland, Workspace, San Francisco, CA
·  Dystopia, Catharine Clark Gallery, San Francisco, CA
2007·  Paradise Lost, Nathan Larramendy Gallery, Ojai, CA
2006·  Zigzag, Arts Visalia, Visalia, CA
2005·  Airborne, Smith Andersen Editions, Palo Alto, CA
2004·  Almost Paradise, Miller/Block Gallery, Boston, MA
2002·  Fools Rush In, Catharine Clark Gallery, San Francisco, CA
2001·  Fabricator, Ampersand International Arts, San Francisco, CA
·  Emerging Bay Area Artist Exhibition, Babilonia 1808, Berkeley, CA
·  Plastic Picnic, Catharine Clark Gallery, San Francisco, CA
2000·  Plastic Dreams, a.o.v., San Francisco, CA
1999·  Doggie Doo Hop Scotch, Cité Internationale des Arts, Paris, France
1998·  Introductions, Patricia Sweetow Gallery, San Francisco, CA

Selected Group Exhibitions
TOP
2017·  With Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA
2016·  Imagery Art for Wine Collection, Triton Museum of Art, Santa Clara, CA
·  Not Alone/Exquisite Corpse of the Unknown Veteran, San Francisco Arts Commission Main Gallery, San Francisco, CA
·  Skin Deep: The Art of Tattoo, Katz Snyder Gallery, Jewish Community Center, San Francisco, CA
·  Waste Not: The Art of Recology, Marin Museum of Contemporary Art, Novato, CA
·  Common Ground, David Brower Center, Berkeley, CA
·  The Human Spirit, Richmond Art Center, Richmond, CA
·  Bird in the Hand, Palo Alto Art Center, Palo Alto, CA
2015·  Trashed to Treasured, Napa Valley Museum, Yountville, CA
·  Full Spectrum, San Jose Museum of Art, San Jose, CA
·  Djerassi: A Legacy, Ascent Private Capital Management, San Francisco, CA
·  Does Size Matter, The Janet Turner Print Museum, California State University, Chico, CA
·  Art at the Dump, San Francisco Department of the Environment, San Francisco, CA
·  Make Art, Not Landfill, Thoreau Center for Sustainability, San Francisco, CA
·  Bearing Witness: Surveillance in the Drone Age, San Francisco International Arts Festival, Fort Mason Center, San Francisco, CA
·  Telephone, Satellite Collective, New York, NY
·  The Art of Recology, Voila! Gallery, Los Angeles, CA
·  Californian and American Art: Permanent Collections, Crocker Art Museum, Sacramento, CA
·  Glamorgeddon: The Spectacle, SOMArts Cultural Center, San Francisco, CA
2014·  Art Exhibition Volume 6, The Battery, San Francisco, CA
·  Robert F. Agrella Art Gallery, Indelibly Yours: Smith Andersen Editions and the Tattoo Project, Santa Rosa Junior College, Santa Rosa, CA
·  Creative in Common, de Saisset Museum, Santa Clara University, Santa Clara, CA
·  Indelibly Yours: Smith Andersen Editions and the Tattoo Project, Flint Institute of Arts, Graphic Arts Gallery, Flint, MI
·  Incarnate, Catharine Clark Gallery, San Francisco, CA
·  Soft Muscle, Root Division, San Francisco, CA (catalogue)
·  Building Forward/Looking Back, de Saisset Museum, Santa Clara University, Santa Clara, CA
·  Initial Public Offering, San Jose Museum of Art, San Jose, CA
2013·  Around the Table: Food, Creativity, Community, San Jose Museum of Art, San Jose, CA
·  ICA: On The Road, The VIP Club Lounge,Norman Y. Mineta International Airport, San Jose, CA
·  The Meaning of Geographic Origin in the Digital Era, Italian Cultural Institute of San Francisco, San Francisco, CA
·  Indelibly Yours: Smith Andersen Editions and the Tattoo Project, Donna Beam Fine Art Gallery, University of Nevada, Las Vegas, NV
·  The Hogarth Project, Smith Andersen Editions, Palo Alto, CA
·  Just Add Water, Studio Quercus, Oakland, CA
2012·  Artists' Ink, George Adams Gallery, New York, NY
·  The Best of Everything, Electric Works, San Francisco, CA
·  Party Headquarters: Art in the Age of Political Absurdity, Pratt Manhattan Gallery, Pratt Institute, New York, NY
·  Gender Specific, Take it or Leave it, Smith Andersen Editions, Palo Alto, CA
·  Sin and Redemption, SFMOMA Artists Gallery, San Francisco, CA
·  XX: Women, Art, and Science, Library Art Gallery, Sonoma State University, Rhonert Park, CA
·  Art of Painting in the 21st Century, John Natsoulas Gallery, Davis, CA
·  Indelibly Yours: Smith Andersen Editions and the Tattoo Project, de Saisset Museum, Santa Clara University, Santa Clara, CA (catalogue)
·  Portraiture Post Facebook, Catharine Clark Gallery, San Francisco, CA
2011·  Seduction: the Second Annual Biennial, Michael Rosenthal Gallery, San Francisco, CA
·  A Taste of Tattoo, Smith Andersen Editions, Palo Alto, CA
·  Keeping An Eye On Surveillance, The Performance Art Institute, San Francisco, CA
·  TEL-ART-PHONE, Beacon Arts Building, Inglewood, CA
·  Pornucopia, Allegra LaViola Gallery, New York, NY
·  Banned and Recovered, Kolligan Library, UC Merced, Merced, CA
2010·  The More Things Change/Shadowshop, SFMOMA, San Francisco, CA
·  sfTWOflatSHOW, Hamamjian Modern, San Francisco, CA
·  Banned and Recovered, Reese Bullen Gallery, Humboldt State University, Arcata, CA
·  Clear Vision, Smith Andersen North, San Anselmo, CA
·  The Drawing Room, Catharine Clark Gallery NY, New York, NY
·  Prints Byte, SOMArts Gallery, San Francisco, CA
·  On Site/In Sight, de Saisset Museum, Santa Clara University, Santa Clara, CA
2009·  Art on Market Street, Bedford Gallery, Dean Lesher Center, Walnut Creek, CA
·  Recall, Smith Andersen Editions, Palo Alto, CA
·  It’s Not Us, It’s You, San Jose Institute of Contemporary Art, San Jose, CA
2008·  The Western Front, Charlie James Gallery, Los Angeles, CA
·  Banned and Recovered, African American Museum and Library, Oakland, CA (catalogue)
·  We're All In This Together, McNish Gallery, Oxnard College, Oxnard, CA
·  Freedom of Expression, University Art Gallery, Sonoma State University, Rohnert Park, CA
·  These Are The People In Your Neighborhood, Gallery 16, San Francisco, CA (catalogue)
·  Make the Art You Need, Worth Ryder Gallery, UC Berkeley, Berkeley, CA
2007·  7-07, b. sakata garo, Sacramento, CA
2006·  Obsessive Nature, Heritage Bank of Commerce, San Jose, CA
·  Hot Shots, McNish Gallery, Oxnard College, Oxnard, CA
·  Group Show, Mendenhall Sobieski Gallery, Pasadena, CA
·  Painting's Edge, Riverside Art Museum, Riverside, CA
·  Conflict and Art, Cantor Arts Center, Stanford University, Stanford, CA
·  Moxie, Catharine Clark Gallery, San Francisco, CA
·  Recent Acquisitions, de Saisset Museum, Santa Clara University, Santa Clara, CA
·  New Acquisitions, Mills College Art Museum, Oakland, CA
2005·  The Pin-Upstairs (@ Fanelli), jen beckman, New York, NY
·  Pool Party, Nathan Larramendy Gallery, Ojai, CA
·  Recent Editions, Gallery 16, San Francisco, CA
·  Print, Process, Collaboration, Savannah College of Art and Design, Savannah, GA
·  Dialogue, I-5 Gallery, Los Angeles, CA
2004·  Paper Bullets, Intersection for the Arts, San Francisco, CA
·  See California Now, Gallery C, Hermosa Beach, CA
·  Terrible Danger Ahead!, Pelham Art Center, Pelham, NY (catalogue)
·  Finesse, Catharine Clark Gallery, San Francisco, CA
·  New Prints 2004/Summer, International Print Center New York, New York, NY
·  Comics Stripped, Off the Preserve, Napa, CA
·  High Fiber, Kala Art Institute, Berkeley, CA
·  Nevada Museum of Art, Robert Z. Hawkins Contemporary Gallery, Reno, NV
·  Large Format, Smith Andersen Editions, Palo Alto, CA
2003·  Global Elegies: Ofrendas and Art for the Dead, Oakland Museum of California, Oakland, CA (catalogue)
·  Recent Press Projects, Smith Andersen Editions, Palo Alto, CA
·  Road Trip, Nathan Larramendy Gallery, Ojai, CA
·  Food Matters: Explorations in Contemporary Art, Katonah Museum of Art, Katonah, NY (catalogue)
·  Splat, Boom, Pow! The Influence of Cartoons in Contemporary Art, Contemporary Arts Museum, Houston, TX (catalogue)
·  Sprout, Catharine Clark Gallery, San Francisco, CA
·  Intersticies, Kellogg University Art Gallery, California State Polytechnic University, Pomona, CA
2002·  Nature Remains, Off the Preserve, Napa, CA
·  Gesture, 111 Minna, San Francisco, CA
·  Eight Women, Bickett Gallery, Raleigh, NC
·  High Tech/Low Tech Hybrids, Bedford Gallery, Dean Lesher Center, Walnut Creek, CA
2001·  Recent Work, a.o.v., San Francisco, CA
·  Rising Tide, Orange County Center for Contemporary Art, Santa Ana, CA (catalogue)
2000·  10 Degrees of Abstraction, Biola University, La Mirada, CA
·  Abstraction: From Raucous to Refined, Bedford Gallery, Dean Lesher Center, Walnut Creek, CA
·  The Hokey Pokey Show, DiRT gallery, Hollywood, CA
·  Spurgeon Experience II, Raid Projects Gallery, Santa Ana, CA
1999·  Paintings, Jack Hanley Gallery, San Francisco, CA
1998·  SFMOMA Artists Gallery, San Francisco, CA
·  MFA/UCB, Berkeley Art Museum, UC Berkeley, Berkeley, CA (catalogue)
·  Circus Momentous, Wight Art Gallery, UCLA, Los Angeles, CA
1997·  Toys in Contemporary Art, d.p. Fong Galleries, San Jose, CA
·  Over, Under and Around, Southern Exposure, San Francisco, CA

Selected Bibliography
TOP
2016·  101 Artists, Artvoices Art Books Publishing, Los Angeles, CA
·  Kara Maria: Head Over Heels, University Art Gallery, California State University Chico, Chico, CA
·  Chico Enterprise-Record, "Kara Maria art speaks more than color, style", by Emily Bertolino, Saturday, March 5, Chico, CA
2015·  Squarecylinder.com, "Kara Maria @ Catharine Clark", by David M. Roth, September 24, San Francisco, CA
·  The Pacifican, "Spring from trash to art", by Nicole Felkins, April 9, Stockton, CA
·  Sacramento News & Review, "Emotional electricity", Thursday, February 12, Sacramento, CA
·  ArtBusiness.com, online article, "Recology", by Alan Bamberger, February 23, San Francisco, CA
·  SF Weekly, "Kings and queens of the heap", by Laura Jaye Cramer, Friday, January 23, San Francisco, CA
2014·  metroactive, "Kith and Kin", by Dewitt Cheng, October 1-7, San Jose, CA
·  Sartle., online article, "Deployment in Wonderland", by Angelica Jardini, July, San Francisco, CA
·  ArtBusiness.com, online article, "Catharine Clark Gallery", by RWM, June 21, San Francisco, CA
·  ArtBusiness.com, online article, "Root Division", by RWM, June 14, San Francisco, CA
2013·  Las Vegas Weekly, "Donna Beam's Indelibly Yours…", by Kristen Peterson, Wednesday, October 16, Las Vegas, NV
·  Las Vegas City Life, "Exploring Interconnections of Ink, Plate and Skin", by Jenessa Kenway, October 16, Las Vegas, NV
2012·  Royal Cheese, online article, "These Opposite Breasts", November 16, Moscow, Russia
·  Beautiful/Decay Book 9: The Seven Deadly Sins, by Amir H. Fallah, Los Angeles, CA
·  Dallas Morning News, "As American as Sex and War", by Michael Granberry, Sunday, August 12, Dallas, TX
·  San Francisco Chronicle, Sunday Datebook, image, page 38, Sunday, August 5, San Francisco, CA
·  Squarecylinder.com, online article, "Sin & Redemption", by David M. Roth, August 4, San Francisco, CA
·  SFMOMA Artists Gallery, online article, " A Conversation with Artist Kara Maria", by Susan Burke, July 20, San Francisco, CA
·  ARTnews, "Portraiture Post Facebook", by Lea Feinstein, page 128, Summer, New York, NY
·  Juxtapoz, online article, "Kara Maria: Dystopia", Ed. Hanna Stouffer, July 12, San Francisco, CA
·  Juxtapoz, online article, "Breast Portraits by Kara Maria (NSFW)", June 28, San Francisco, CA
2011·  New York Post, LES 'Porn' exhibit riles Jewish neighbors, by Rebecca Rosenberg, Tuesday, March 15, New York, NY
·  The L Magazine, Porn-Themed Exhibition at LES Gallery Gets Under Neighbors' Skins, by Benjamin Sutton, Monday, March 14, New York, NY
·  New York Press, Porn of Plenty, by Nicholas Wells, Wednesday, February 9, New York, NY
·  These Are The People In Your Neighborhood, Gallery 16, San Francisco, CA
2009·  The Sacramento Bee, WeekendTicket, "You Gotta Have Art...", June 12, Sacramento, CA
·  Sacramento News & Review, "Chaos on Canvas", June 11, Sacramento, CA
·  Metro Silicon Valley, “Take a Hike”, by Michael S. Gant, April 15, San Jose, CA
·  The Mercury News, “It’s all about rejection at the ICA’s new exhibit”, by Karen D’Souza, April 3, 2009, San Jose, CA
·  artnet Magazine, "Culture Jam", by Jesi Khadivi, Los Angeles, CA
·  THE Magazine Los Angeles, “The Western Front: Inaugural Group Show”, by Peter Frank, January, Santa Monica, CA
2008·  Citizen LA, “Charlie James Gallery”, by Andie Villafañe, Holiday Issue, Los Angeles, CA
·  San Francisco Chronicle, 96 Hours, “Banned and Recovered”, Reyhan Harmanci, Thursday, August 14, San Francisco, CA
·  San Francisco Chronicle, 96 Hours, 'Power Play', Reyhan Harmanci, Thursday, January 24, San Francisco, CA
·  SF Weekly, 'Bombs Bursting', by Michael Leaverton, January 16-22, Volume 26, Number 51, San Francisco, CA
2007·  Santa Barbara News-Press, 'Porn & War', by Josef Woodard, Friday, July 13, Santa Barbara, CA
·  Santa Barbara Independent, 'Paradise Lost' by Kara Maria, by Heather Jeno, Thursday, July 5, 2007, Santa Barbara, CA
·  Artweek, "7.07: Seven Women Artists in the Year of the Pig", by David M. Roth, July/August, Volume 38, Issue 6, San Jose, CA
2006·  Visalia Lifestyle Magazine, 'The Cheerful Apocalypse', by Aaron Collins, Jun, Visalia, CA
·  Visalia Times-Delta, 'In Your Face Art', by Andrew Alvarez, Friday, May 19, Visalia, CA
·  San Francisco Chronicle, Datebook, 'Moxie' at Clark', by Kenneth Baker, Saturday, February 18, San Francisco, CA
·  Imagery: Art for Wine, by Bob Nugent, Imagery Estate Winery, Glen Ellen, CA
2004·  Artweek, 'Paper Bullets' at Intersection for the Arts, by Marisa S. Olson, December/January, Volume 35, Issue 10, San Jose, CA
·  Terrible Danger Ahead!, catalogue of exhibition, Pelham Art Center, Pelham, NY
·  Fiberarts, 'High Fiber', by Virginia Davis, November/December, Loveland, CO
·  SF Weekly, Night & Day, 'Paper Machine', by Karen Macklin, October 20, San Francisco, CA
·  The Pelham Post, 'Comix Artists at PAC', August, Volume 3, Issue 8, Pelham, NY
·  San Francisco Chronicle, Datebook, 'Gotta Have Heart', May 9, San Francisco, CA
·  New American Paintings, Number 49, The Open Studios Press, Boston, MA
2003·  Los Angeles Times, "A Welcome Addition in Ojai", by Josef Woodard, October 23, Los Angeles, CA
·  Art in America, 'Report from Houston: Learning from Comics', by Frances Colpitt, October, New York, NY
·  VC Reporter, 'The Power of Subjectivity', by Rob Campbell, September 25, Ventura, CA
·  Kitchen Sink, 'The Bigger Picture: Paintings and Politics', by Alison Bing, Vol. 1, Issue 2, Summer, Oakland, CA
·  Shock & Awe: Responses to War, edited by Peter Laufer, Creative Arts Books, Berkeley, CA
·  Food Matters: Explorations in Contemporary Art, catalogue of exhibition, Katonah Museum of Art, Katonah, NY
·  Splat Boom Pow! The Influence of Cartoons in Contemporary Art, catalogue of exhibition, Contemporary Arts Museum, Houston, TX
·  Houston Chronicle, 'Pop Goes the Culture', by Patricia C. Johnson, April 12, Houston, TX
·  Texas Monthly, 'Around the State', by Patricia Busa McConnico, April, Houston, TX
2002·  Contra Costa Times, 'Little Reflections', by Robert Taylor, November 17, Walnut Creek, CA
·  San Francisco Examiner, 'ArtSpeak with Kara Maria', by Anne Crump, Thursday, October 3, San Francisco, CA
·  New American Paintings, Number 37, The Open Studios Press, Boston, MA
2001·  NY Arts, "West Berkeley: A Hotbed Still", by Daniel Rothbart, November, Volume 6, Number 11, New York, NY
·  Copia, 'In Praise of Pork', by Sara Rath, Volume 4, Issue 02, Napa, CA
·  Saturday Night, 'Beef', May 19, Don Mills, Ontario, Canada
2000·  Artweek, ‘Abstraction: From Raucous to Refined’ at the Bedford Gallery, by Juan Rodriguez, October, Volume 31, Issue 10, San Jose, CA
·  San Francisco Chronicle, Datebook, The Last Gasps of Abstraction, by Kenneth Baker, Saturday, September 2, San Francisco, CA
·  Artweek, Kara Maria at a.o.v., by Juan Rodriguez, September, Volume 31, Issue 9, San Jose, CA
·  Diablo Arts, Dean Lesher Regional Center for the Arts Magazine, 'Driven to Abstraction', by Carol Egan, July - September, Walnut Creek, CA

Selected Awards/Honors
TOP
2008·  SF Weekly, Masterminds Grant, San Francisco, CA
2001·  Artadia, Grants to Individual Artists Program, New York, NY
1997·  University of California, Eisner Prize in Art, Berkeley, CA
1996·  University of California, Marian Hahn Simpson Fellowship in Art, Berkeley, CA
1994·  Phi Beta Kappa, University of California, Berkeley, CA

Selected Residencies
TOP
2015·  Montalvo Arts Center, Lucas Artist in Residence Program, Lucas Fellow, Saratoga, CA
2014·  Recology Artist in Residence Program, Artist Residency, San Francisco, CA
2003·  Djerassi Resident Artists Program, Artist Residency, Woodside, CA
2000·  de Young Museum, Artist Studio Program, Artist-in-Residence, San Francisco, CA
·  Headlands Center for the Arts, Affiliate Artist Residency, Sausalito, CA

Public Art Commissions
TOP
2004·  Hearts in San Francisco, Civic Center Plaza, (catalogue) San Francisco, CA
2003·  San Francisco Arts Commission, Art on Market Street, Kiosk Poster Series Commission, San Francisco, CA

Curatorial Projects
TOP
2004·  San Francisco Arts Commission Gallery, Meat Show, (catalogue) San Francisco, CA

Selected Fine Art Print Publishers
TOP
·  Gallery 16, San Francisco, CA
·  Shark's Ink, Lyons, CO
·  Smith Andersen Editions, Palo Alto, CA
·  Trillium Press, Brisbane, CA

Selected Permanent Collections
TOP
·  Cantor Arts Center, Stanford University, Stanford, CA
·  Crocker Art Museum, Sacramento, CA
·  de Saisset Museum, Santa Clara University, Santa Clara, CA
·  di Rosa Preserve, Napa, CA
·  Federal Reserve Board, Washington, DC
·  Hess Corporation, New York, NY
·  King County Public Art Collection, Seattle, WA
·  Mills College Art Museum, Oakland, CA
·  Nevada Museum of Art, Reno, NV
·  Recology, San Francisco, CA
·  San Francisco Public Utilities Commission, San Francisco, CA
·  San Jose Museum of Art, San Jose, CA
·  Sonoma State University Art Collection, Rohnert Park, CA
·  Visa, San Francisco, CA

Selected Teaching Experience
TOP
2014·  San Francisco Art Institute, Instructor, Public Education, San Francisco, CA
2013·  San Francisco State University, Visiting Lecturer, Drawing 1, Department of Art, San Francisco, CA
·  Santa Clara University, Adjunct Lecturer, Basic Drawing, Department of Art and Art History, Santa Clara, CA
2012·  San Francisco State University, Visiting Lecturer, Drawing 1, Department of Art, San Francisco, CA
·  Anderson Ranch Arts Center, Between Thought and Thing: Expressive Works on Paper, Snowmass Village, CO
·  Santa Clara University, Adjunct Lecturer, Basic Drawing, Department of Art and Art History, Santa Clara, CA
2011·  Santa Clara University, Adjunct Lecturer, Basic Drawing, Department of Art and Art History, Santa Clara, CA
2009·  The Oxbow School, Visiting Artist, Napa, CA
2008·  University of California, Visiting Lecturer, Approaches to Painting, Department of Art Practice, Berkeley, CA
2007·  San Francisco State University, Visiting Lecturer, Drawing 1, Department of Art, San Francisco, CA
·  University of California, Visiting Lecturer, The Language of Drawing, Department of Art Practice, Berkeley, CA
2006·  Saint Mary's College of California, Visiting Lecturer, Advanced Drawing, Department of Art, Moraga, CA
2002·  California College of the Arts Extension, Instructor, Pre-College Program, Drawing, Oakland, CA
·  California College of the Arts Extension, Instructor, Young Artists Studio Program, Drawing from Life, San Francisco, CA
2001·  California College of the Arts Extension, Instructor, Pre-College Program, Drawing and Painting, Oakland, CA
1998·  University of California, Graduate Student Instructor, Introduction to Visual Thinking, Department of Art Practice, Berkeley, CA
1997·  University of California, Graduate Student Instructor, Introduction to Visual Thinking, Department of Art Practice, Berkeley, CA

Selected Lectures
TOP
2016·  California State University, Chico, CA
2015·  University of the Pacific, Stockton, CA
·  The Battery, San Francisco, CA
2012·  Sonoma State University, Art Department, Rohnert Park, CA
2010·  The Donkey Mill Art Center, Holualoa, Hawaii, HI
2009·  Berkeley Art Center, Berkeley, CA
·  The Oxbow School, Napa, CA
2008·  Sonoma State University, Art Department, Rohnert Park, CA
·  San Francisco Art Institute, Graduate Campus, San Francisco, CA
2006·  The Urban School, Art Department, San Francisco, CA
·  Saint Mary's College of California, Art Department, Moraga, CA
2005·  Hui No'Eau Visual Arts Center, Makawao, Maui, HI
2004·  Mills College, Art Department, Oakland, CA
2003·  California State Polytechnic University, Women
2002·  University of California, Department of Art Practice, Berkeley, CA
2000·  Headlands Center for the Arts, Salon Series, Cartoon Doom, Sausalito, CA